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Midnight Cowboy by Adrianne Lee. Undercover Vows by Judi Lind. Reckless Lover by Carly Bishop. The Renegade by Margaret St. Keeper of the Bride by Tess Gerritsen. His Secret Side by Pamela Burford. Lucky Devil by Patricia Rosemoor. Love and Lies by Dawn Stewardson. The Impostor by Cassie Miles. Belladonna by Jenna Ryan. No Ordinary Man by Suzanne Brockmann. The Charmer by Leona Karr. The Other Laura by Sheryl Lynn. The Pirate Ghost by Laura Pender.
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To Hold by M. Shadow Lover by Carly Bishop. Spencer's Bride by Laura Gordon. A Christmas Kiss by Caroline Burnes. Baby in My Arms by Madeline Harper. No Way Out by Tina Vasilos. The Defendant by Gay Cameron. The Valentine Hostage by Dawn Stewardson. Fever Rising by Maggie Ferguson. Midnight Prey by Caroline Burnes.
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Malone by Amanda Stevens. Ride the Thunder by Patricia Werner. Krystal's Bodyguard by Molly Rice. Storm Warnings by Judi Lind.
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The publisher has been criticised for books that are considered low-brow and formulaic, although this has also been cited as one of the reasons for their success. An early signing was the mystery and crime writer Victor Bridges. Between and it published numerous adventure titles by Jack London. It was not until the s that the company began to concentrate specifically on romances. In the s the company noted the rapid rise of commercial libraries and the growing appetite for escapism during the Depression years. With the decline of commercial lending libraries in the late s, the company's most profitable move was to realise that there would remain a strong market for romance novels, but that sales would depend on readers having easy access to reasonably priced books.
In the Boon family sold the company to Harlequin Enterprises of Canada. John Boon, son of the co-founder, continued as head of the company while his brother, Alan, continued as head of editorial. Much of the company's success from the s to the s came from Alan Boon's editorial talent. In an Australian office was established in Sydney to handle sales in the Asia-Pacific region. The success of the Australian operation in the s was such that it was able to begin printing its own editions. Their books are sold through a combination of subscription and retail sales.
For example, in any given month they publish eight novels in their Modern line; six of those are available on the retail market, and all eight are available to buy directly from the company both on and offline. They publish a set number of books each month which are sent to subscribers and displayed on stands in book shops.
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